donderdag 2 december 2010

Superhelden/rolmodel

- Verhalen over ‘superhelden’ via allerlei kanalen

  • Radio
  • Tekenboeken
  • Strip
  • Krant
  • Etc.

- Kinderen spelen hun helden na, dus immiteren ook hun gedrag
- Speelgoed/verkleedspulletjes
- Onderbewust komt het thema gelijkheid steeds terug

Toneel

- Rollen- situatie- gebeurtenis- etc- kaarten
- Verkleedspullen in de box, jongens trekken geen jurk aan
- Creeƫren eigen denkbeeldige omgeving
- Blind kaarten trekken

Boek/verhaal

- Plaatjes die aansluiten
- Verhaal wordt gestuurd
- De kinderen hebben zelf het gevoel dat ze het verhaal maken, terwijl wij wel invloed op het verhaal itoefenen
- (Rek met kubussen die je kan draaien)
- (Mini loco stijl)

Afghan pop singer stands up for women


Mozhdah Jamalzadah

Mozhdah Jamalzadah: 'A new breed of Afghan woman'

Mozhdah Jamalzadah is finding ways to insert politics into the commercial world of Afghan pop.

Jamalzadah writes lyrics with her father, an Afghan refugee in Vancouver who is working with the Canadian Forces in Afghanistan. He helps her craft strongly political messages in Farsi that tackle topics from violence against women to Afghan patriotism.

“My music is mainly political,” she says. “Every aspect of it, every song that’s been released, I try to make the lyrics have meaning. The songs are not the typical love songs you get on everybody’s CD.”

One of her recent videos with an Iranian singer named Kami resulted in death threats because she says that intercultural relationships are frowned upon within her community.

“She represents a new breed of Afghan woman,” says Qasim Rasi, a Vancouver-based web developer. “It’s not that Afghan women have never sung before – we have had some grand masters. But she is the new voice of the younger movement. A lot of people have embraced her, and she also has been met with opposition from conservative Afghans.”

A family affair

Jamalzadah is one of few Afghan musicians coming out of Vancouver. The community is small, with about 7,000 members of Afghan descent, compared to 60,000 in Toronto. Jamalzadah knows her background and song content create tensions within her own community.

She moved to Canada with her family as a political refugee from Afghanistan at five years of age. Her family settled in Vancouver where she studied voice at the BC Conservatory of Music and once made a failed attempt at Canadian Idol.

AfghanBuzz, the popular website run from Burnaby that launched Mozhdah's career.

AfghanBuzz, a popular website run from Burnaby, launched Mozhdah's career

But it wasn’t until a chance meeting with Rasi, developer of a Vancouver-based entertainment website, AfghanBuzz.com, that she decided to take singing seriously. Rasi created a MySpace page and promoted her on his website.

“I didn’t know that anybody would even be interested in listening to my stuff and all of a sudden I got 200 hits a day on Myspace,” says Jamalzadah.

Her career is now operated as an independent family-run business. Her father offers creative input while her mother and brothers handle management and promotions. So far she has released a number of singles and has just completed her debut album, which will be available through iTunes later this month.

They are still deeply affected by the turmoil in Afghanistan. Her father joined the Canadian Forces following Canada’s invasion of Afghanistan because he still feels a profound connection to his homeland. He is a cultural adviser and is stationed there another six months. She says he feels that he has a duty to go back there and make a difference.

Challenging the status quo

Jamalzadah is also trying to make a difference, with music as her platform. Her most political song is Dukhtare Afghan, which is about influential women poets and freedom fighters. During a Persian New Year’s concert last month in Los Angeles, she dedicated the song to women’s rights in Afghanistan, addressing 10,000 people.

“I dedicated that song to those girls who were attacked by acid while going to school in Khandahar,” she says. “It actually says I’m a girl, I’m an Afghan girl, don’t break my honour, don’t break my wings. Leave me be.”

She is particularly frustrated by proposed restrictions on women’s rights in Afghanistan’s that would force women to submit to sex with their husbands and require permission to leave the home.

“I am beyond furious. I’m just – I’m so angered by it,” she said. “For our own President to not even feel anything towards his own Afghan females, I feel like in their eyes, a female is like a piece of trash. If she has no say, if her husband is allowed to rape her anytime he wants, who do they go to?”

Her other resistance involves a video with a popular Iranian singer that shows the fully clothed duet holding hands and gazing into each other’s eyes. It is tame by western top-forty standards, and quite popular with young Iranians and Afghans.

However it has generated criticism, prompting a video defence from the two. Jamalzadah says one person even wrote her through Facebook and told her she should be shot for what she’s doing.

“So when I threatened to report him to CSIS he replied ‘Please please please don’t report me. I apologize.’”

Rasi says she faces opposition because, “she wears normal clothes, like Western style clothes. She’s a bit liberal in her beliefs, so for a lot of Afghans it’s fine, but there are some individuals who are conservatives. Afghan culture has been a conservative culture, and people have been unwilling to change for a long time.”

Looking forward

Jamalzadah is criticised for wearing Western style clothes

When Afghan male singers have provocatively dressed female dancers in the background of their videos, it does not generate much controversy. Jamalzadah attributes the different standard to the fact that the girls are not Afghan.

“To these people that’s fine because they’re not Afghan. But for me as an Afghan girl to do that and sing at the same time, it’s really freaky for some people,” she says.

Jamalzadah says she wants to play in Afghanistan, but that may be difficult to achieve anytime soon. Her former producer, Wahid Omid, was a celebrity in Afghanistan before the Taliban came to power. He left his Vancouver home to play some shows there about five years ago, but returned early.

“I didn’t feel safe so I came back,” he says.

While she waits for the opportunity to play in her home country, Jamalzadah says her main goal is to use her music to push for women’s rights.

“My speeches are becoming more political,” she says. ”If I’m standing in front of 10,000 people with a mic in my hand I have the power to at least bring up the issue.”

Jamalzadah and Kami have announced plans to tour Europe and Dubai following the release of their new albums.

woensdag 1 december 2010

Woorden Leren op Kinderniveau

http://www.taalklas.nl/

Analfabetisme in de wereld

Arabisch alfabet




Bron voor veel informatie Analfabetisme

http://www.alfabetisering.nl/

"Illiteracy Kills"

Afghan Female Literacy Centres bring knowledge and new priorities to rem...

VU maakt Kieskompas voor analfabeten

Mensen die last hebben van leesproblemen, kunnen vanaf vandaag gebruikmaken van een speciale Kieskompas.

In Nederland zijn er ongeveer 1,2 miljoen mensen die niet goed kunnen lezen en schrijven. Voor deze mensen is er een speciale Kieskompas gemaakt zodat ook zij kunnen kijken welke politieke partij het best bij hen past. Dat maakte de Vrije Universiteit bekend.

Het Kieskompas Visueel combineert taal, beeld en geluid. Bezoekers van de website moeten dezelfde dertig stellingen beantwoorden als die van de reguliere Kieskompas. Ze worden in de speciale versie echter voorgelezen en voorzien van duidelijke illustraties.

Afghanistan Literacy Program

Afghan National Army Literacy Training

Hoe is het om analfabeet te zijn

Microsoft researches user interface for the illiterate

Creating smarter iconic images for different countries and cultures is a key challenge

By Sharon Gaudin
March 7, 2008 12:00 PM ET

Computerworld - Microsoft Corp.'s research arm is working on technology that would enable its engineers to build a user interface for the illiterate.

Scientists in Microsoft Research's laboratory in Bangalore, India, have been working on the project since 2005, according to P. Anandan, the facility's managing director. The scientists are building prototypes of the user interface now, but Microsoft has no immediate plans for including it in a product, Anandan said.

"Many people in the world -- about 50% in India -- cannot read and write," Anandan told Computerworld. "For them, a textual interface where they have to read and write just is not useful. You can show a lot more in a picture."

Anandan and his team from the Bangalore lab were in Redmond, Wash., this week for Microsoft's seventh annual TechFest gathering. They were among many of Microsoft's 800 Ph.D.-level researchers from around the world who attended the event to show off projects they are working on.

On Tuesday, the scientists gave the press and Microsoft research partners a glimpse of their work. They then rolled out a more comprehensive showcase on Wednesday and Thursday for Microsoft's own employees.

Anandan said part of the challenge in developing the new interface is to overcome the barrier of using reading and writing to interact with the computer. What it largely comes down to is coming up with better icons, he added.

Another problem lies in the fact that different countries, different cultures and even people from different towns respond differently to iconic images. Anandan explained that the average image used in the U.S. for a home would look like two sides of a home and a slanted roof. However, someone looking for housekeeping work in India might see that icon and assume that it was a hut and not a nice home. In India, the icon for a home would have to represent a two-story dwelling, he said.

"One part of this work is not so much about the icons but about the vocabulary a community speaks," he added. "Every iconic interface depends on the application you're creating it for and the community you're focusing on. You have to think of language, the country and the job people do."

Creating a user interface for people who are illiterate, however, can also help in the effort to improve more traditional interfaces, as literate people can also benefit from richer and more meaningful icons, noted Anandan.

"There's a certain amount of vividness that you get through images and sound that you don't get through text," he added.